Crazy on You: a review

boricuareads review crazy on you.png


Worse than a one-hit wonder, Tassia Hogan is a one-line wonder. Infamous for a memorable, extremely provocative verse, her music career is going nowhere. Finding a decent man to date has also proven fruitless . . . they all think she’s as wanton as those lyrics. But now her label is offering Tassia the chance to shine–with a catch. The album is duets. Her partner is a Country Western singer. And he’s just as reluctant to agree as she is.
Hyde Love has been in the music business since he was eleven, and he’s becoming more and more disenchanted with it. Collaborating on an album seems great in theory, but Tassia is an R&B singer. Melding their sounds and personalities will be difficult–though not as tough as keeping things strictly business. Getting involved with his partner could prove career-wrecking, yet discovering the real Tassia could be earth-shattering.

Continue reading “Crazy on You: a review”

Hired: a review

boricuareads review hired.png


For a man who makes his living pleasuring women, what happens when the only pay-out worth having is love?

Faith Abigail Charles has always done the right thing. So when her mother runs for mayor of New Orleans, Faith puts her law career on hold to help her win. But when tensions run high, Faith trades one kind of heat for another—in the arms of a hard-bodied stranger. He’s everything a woman dreams of in a lover. So much so that her one-night stand turns into two, then three, then four . . .

For Aiden Rios, meeting smart, sexy Faith feels like fate. After being ditched by his client in the Big Easy, the high-paid male escort needs a little company himself. Aiden knows he’ll have to come clean about his line of work, and he plans to—right after another taste of Faith’s sweetness—and another and another. . . . Until a chance meeting with his client leaves Aiden exposed—and Faith shocked and hurt. Now the hired hottie must show Faith that the love they share is bigger than the scandal threatening to destroy them . . .

Rating: 4.5/5 Stars


When Zoey Castile said that the hero in Hired was largely inspired by Maluma, I didn’t know what to expect. But Castile delivered on the missive and surpassed all expectations. Continue reading “Hired: a review”

Dance All Night: a review

boricuareads review dance all night.png

Rating: 5/5 Stars


Broadway hotshot Nik Kovalenko is a confirmed bachelor.

Ballroom champion Jess Davenport is a bona fide Scrooge.

Last year, they shared a midnight kiss at a New Year’s Eve party that made both of them believe—briefly—in the magic of the holiday season. The magic was cut short when Nik went on tour the next day, but he never stopped thinking about that kiss—or Jess.

When the holidays roll back around, Nik runs into Jess again. He doesn’t want to spend another year pining for the Scrooge who got away, so he tells Jess he’ll stay if she’ll give him a shot at being her Christmas Present.

Jess thinks he’s full of it, but she agrees to three dates. If Nik can make her believe in holiday magic in a place as un-wintery as Los Angeles—and convince her that he’s ready to stick around—she’ll give him a chance. But he won’t know until New Year’s Eve. If she kisses him at midnight, he’ll have his answer…


Have you ever labored over a homemade batch cookie dough, mixing ingredients, making sure all your chocolate chips are distributed evenly into your mix, place an even number of dough balls onto your baking sheet, watch them rise into perfect little clouds of amazingness, and bite into them and think “that’s some good shit right there?” That’s exactly how I felt while reading Dance All Night by Alexis Daria. I kept thinking “THAT’S SOME GOOD SHIT RIGHT THERE” to the point of staying up until 3am savoring all the words. Dance All Night is a cup of hot chocolate with chili powder on a cold winter day that you don’t know you’re gonna like and you end up practically licking the cup when you’re done.

Daria gives us an ideal pairing: the sweet and cheery Nik Kovalenko and the kind and prickly Jess Davenport. The setting: Christmastime! You know all those cheesy Hallmark movies about, say, a young baker who loves Christmas and the rough-around-the-edges business executive looking to settle down? It’s got the same vibe all while chewing up Christmas story tropes and spitting them out to make beautiful art.

Jess Davenport and Nik Kovalenko shared a kiss one year ago during a New Year’s Eve party, and they haven’t stopped thinking about each other since then (I know this sounds like HIgh School Musical but wait). When Nik comes back to L.A. to settle down after a long year of travel and work, he decides it’s time to slow down and explore a steady life. Nik hopes to have Jess be a part of that life, except she doesn’t believe he wants to end his wandering lifestyle.

And thus begins Nik’s new life mission: proving to Jess that he’s there for the long run and that Christmastime is a time for connection, even when the only person he wants to connect with is her. She’s not gonna make it easy for him though, keeping Nik, his three proposed dates, and the entirety of Christmas at arm’s length.

At its core, Daria’s novella is full of joy and the desire to connect with someone despite circumstances making you want to isolate yourself. Daria delivers on consent, communication between characters, balancing the fun with the dramatic, the steamy with the swoonworthy. It’s realistic with its relationship, especially in the age of social media where everything and everyone moves fast. Some may cry INSTA-LOVE, but who cares? I had fun, I rooted for the two of them, and I got a happily ever after by Alexis Daria. In the end, isn’t that what we all want during the jolliest of holidays?

An eARC was provided by NetGalley in exchange for an honest review. Thank you!

You can pre-order this book online on Amazon, Barnes and Noble, and other online book retailers now! E-Book will be released on December 11th, 2018. Paperback is out now!

Review available on Goodreads.

Follow me on Instagram and Twitter @boricuareads, and make sure you check out my other reviews, as well as my book lists, edits, and more! If you enjoyed this, know that I put a lot of work into my reviews, so a monetary donation helps keep this blog going. I also have two Amazon Wishlists: one for books by Latinx authors, and another one for the rest of the books that I’d love to read and buy for myself.

Their Perfect Melody: a review

boricuareads review their perfect melody

Rating: 3/5 Stars


Growing up, Lilí María Fernandez was affectionately known as the family “wild child.” The life of the party, she loved to dance, especially salsa, merengue, and bachata, and often sang beside her father during rehearsals for his trío group. But tragedy and loss have drawn out Lilí’s caretaking side, compelling her to become a victim’s advocate. These days, the special rhythms of the past seem like a distant memory. Until she meets Diego Reyes . . .

A police officer with the Chicago PD, Diego also has a talent for playing classical Spanish guitar. And Lilí soon finds herself inspired by his passion–for the music, for her, and for their shared love of familia and community. Can Diego reignite Lilí’s fun-loving spirit, persuade her to balance work and pleasure–and embrace her wild side once more?


(Trigger Warnings for the review: physical assault, sexual assault, date rape, domestic violence, police brutality, stalker behavior, racial profiling. Full list of trigger warnings for the book after the review)

This year has been marked by the sheer amount of Romance novels I’ve read. In no other year have I read as much as I have this time around. I have a very complicated relationship with the genre, as I always come in with low expectations, not because I don’t respect the Romance genre. To the contrary, I think in Romance is where most progress in terms of representation and subversion of tropes can be seen, especially among marginalized writers. I come in low because sometimes… there’s a lot of work to be done… Which is why when I enter a Romance book with high expectations I have to look at myself and say “Congratulations, you played yourself.”

Their Perfect Melody by Priscilla Oliveras is by no means perfect. One might argue that, of course, no person and, therefore, relationship is perfect. From the description alone, I thought the pairing could be good: two Latinx people, both of Puerto Rican descent, in Chicago with their own emotional baggage figuring out how to work through that together by showing how passionate they are in what they do.

Lilí Fernandez is a Victim’s Advocate, working with battered women to help them cope and get better. She meets Diego Reyes when she responds to one of her clients’ call for help after their partner threatened her and turned violent. Reyes, a police officer, has also answered the victim’s emergency call and is standing guard outside, obstructing the way and not letting Lilí do her job to protect her client.

After she’s allowed inside, she proceeds to do her job, though Reyes keeps antagonizing her inside and, again, obstructing her process by contradicting her and defying her decisions. Lilí wants her client to press charges against the abuser, but we know that the victim must be the one to bring it up and come to terms with it. Yet Reyes gets angry and confrontational when Melba (the victim) hesitates to do so, which is the opposite of what Lilí needed. The antagonizing particularly annoyed me, seeing as it’s played as a cute thing. I’d be furious, especially when we see from his perspective that he riles her up on purpose.

The story continues with Lilí deciding to let her stay at her own apartment until Melba decides to go to a women’s shelter. Reyes is beside himself for some reason, which we later find out why, but it made me wonder if he took it personal any time a woman, who isn’t conventionally attractive like Lilí or connected to him in some way, who’s been assaulted and decided not to report it to the police. He proceeds to “investigate,” in the name of law and order, where Lilí lives by following her car after she leaves the crime scene, even though she explicitly asks him not to. Eventually, he goes to her apartment building (without her knowledge) to canvas and notify the head of security to help find the abuser. He saw it as a part of his job; I saw it as an invasion of privacy, but Lilí doesn’t seem to mind for some reason.

There’s a theme throughout the whole book about the lines the characters are willing to cross, be they personal or professional. Lilí will cross her own professional boundaries to keep her clients safe, while Diego will cross his own to keep his sister and Lilí safe. It’s implied that he looks out for the kids in the neighborhood, but there’s not much evidence of it except when he’s at the community youth center. Lilí will cross her personal boundaries after knowing how the system fails victims of assault and previously having a bad relationship with a cop; Diego will actually do some emotional labor for change (?).

The book says that Lilí went into Women and Gender Studies in college after helping a younger student go through the reporting of a date rape, which ended up in nothing as most of these cases usually do. After that, she decides to become a Victim’s advocate, helping them get better and being a positive but realistic person. As someone who graduated with a Women and Gender Studies degree from a school in the Midwest, this was especially comforting to see, seeing as it’s something a lot of my classmates also do. And yet, Lilí’ll do and say things that are incongruous with many of the things we’re taught in a basic Women and Gender Studies class. For example, at the beginning of the book, after Lilí’s first brush with Diego, she’s thinking about maybe having a different meet-cute: “It made her wonder what it would have been like had they run into each other at a club or bar out with friends. To have those intense brown eyes focused on her in a totally different way. The male-female kind of way (bolded for emphasis).” I re-read this line plenty of times, at first confused and then insulted. It’s an incredibly hetero- and cisnormative way to view passion and even how some people experience sexual tension/attraction.

If that’s not enough, Diego’s constant insistence that he’s a “nice guy” grated me; no “nice guy” needs reiterating the fact. This especially when he’s repeatedly undermining Lilí and her job. Sure, he sometimes admits fault. But Lilí, who finds fault in him and knows Diego doesn’t take her career seriously and that he doesn’t ever take the time to actually listen to victims, won’t look him in the eye and never calls him out. And she doesn’t point out his chosen profession and say the obvious: domestic violence is more prevalent in police officers’ families than in non-police officer families. Lilí, who knows firsthand about the failings, oppression and ignorance of certain institutions, who’s probably seen her fair share of domestic violence survivors at the clinic, ignores these facts. How many of Diego’s coworkers have probably been abusive toward their families? Does he know and keep quiet, therefore maintaining a culture of abuse within the police? What about racial profiling done by the police? Police brutality? Where does Diego stand on the issues that affect the community he so loves? How many victims have been to Lilí’s workplace that Diego probably knows?

I know that Diego has his issues with his family and his sister. But throughout most of the book he lets Lilí do most of the emotional labor, and when the climax of the story (or “The Big Misunderstanding”) happens, Diego bails. Lilí tells him exactly why she did what she did, and he still makes it about himself. He isolates himself and doesn’t contact Lilí. It takes him two weeks, a grand romantic gesture, and a private conversation where he grovels a little bit, to apologize. (And not for everything.)

I know this review looks like I didn’t like the story, which isn’t the truth. I thoroughly enjoyed Lilí and the heavier topics the book tackles, such as trauma, what family means in different contexts, as well as assault and its repercussions. I liked the fact that there wasn’t a declaration of love, seeing as they’d met about a month (?) before the book’s conclusion. However, I don’t think the two characters need to have a happy ever after together. At least, not in the “let’s get married and have kids” way. I think they can grow together, have sex together, learn from each other. I don’t think Diego deserves to have Lilí doing so much emotional labor for him. He needs to take a look at his life and realize all that he needs to do to get better. In the end he does seem like he wants to start mending those things, which I appreciate.

To conclude, the book isn’t perfect, and the relationship between Lilí and Diego isn’t perfect except in their own eyes, but it’s still an enjoyable story that hits a lot of topics ignored in the Romance genre. I hope to read more from the author, as I believe she’s a great writer in terms of the technical aspects and in developing her characters. Oliveras captures Latinx family dynamics in the most heartfelt and loving way that could only be possible if written by a Latinx author. It’s in the crowded scenes, such as the baseball game and the family dinner, where Oliveras finds her strength as an author when she makes a big cast melt into the background so that the two characters always gravitate toward each other; which is why the story still resonated with me. It’s when the scenes are loudest that the more moving, quiet moments happen. And that’s what still makes this story a good one in my books.

Trigger warnings for novel: domestic violence (secondary character experiences it and describes it), physical assault (described by victim and then experienced by MC), abuse, sexual assault of secondary character (actual act isn’t described or seen), date rape of secondary character (mentioned), reporting of sexual assault of secondary character (perpetrator isn’t apprehended), drug use (specifically crack cocaine; mentioned and seen, usage of it isn’t described), drug rehab, stalker behavior, homo- and transphobia (wording), misogynistic slurs used by man during an assault, emotional trauma, PTSD (MC experiences signs of it after assault, showing mostly anxiety), mention of death of loved ones (one of the MCs has lost their parents, the other lost their mother), parental negligence (father of one of the MC’s is an absent parent).

An eARC was provided by NetGalley in exchange for an honest review. All quotes are taken from said copy and may be changed in the final print. Thank you!

You can pre-order this book online on Amazon, Barnes and Noble, Indiebound, and other online book retailers now! Book will be released on November 27th, 2018.

Review available on Goodreads.

Follow me on Instagram and Twitter @boricuareads, and make sure you check out my other reviews, as well as my book lists, edits, and more! If you enjoyed this, know that I put a lot of work into my reviews, so a monetary donation helps keep this blog going. I also have two Amazon Wishlists: one for books by Latinx authors, and another one for the rest of the books that I’d love to read and buy for myself.

Night and Day: a review

boricuareads review night and day

Rating: 4.5/5


A Romantic Dreamer
Letty Gonzalez is a true romantic. She’s spent her life waiting for flowers, poetry, the grand gesture that will finally sweep her off her feet—without any luck. After her latest dating fiasco, she’s ready to give up on the idea of Prince Charming—but not on down and dirty fantasies about her new
boss—gorgeous, out-of-her-league Max Delgado.

A Restless Romeo
Max is more pragmatic than romantic—and with his looks and charisma, beautiful women usually fall at his feet. Bubbly, generously curvy Letty just isn’t for him, and maybe if he finally lets his grandmother set him up with someone new, Letty will finally believe it.

A Sultry Surprise
But the senior citizen’s matchmaking is trickier than anyone anticipated. And when Letty and Max find themselves stuck in Key West together for a seductively sexy weekend, one kiss is enough to light a fire neither of them wants to put out…


Andie J. Christopher’s Night and Day was so refreshing I thought I was bathing in the beach after a heatwave. Set in Miami, the story follows our brooding artist hero, Max Delgado, and the optimistic, capable heroine, Letty Gonzalez.

Letty Gonzalez has been hired to organize Max Delgado’s workspace, only to find out that Max didn’t really contact her, but rather his meddling matchmaker Abuela. The confusion sets forth a series of misunderstandings which help break the ice between the characters and spark the flame of impending romance.

Both characters are reticent to act on their feelings (of lust) at first: Letty due to the fact that she’s technically Max’s employee and isn’t comfortable with the power dynamics, and especially after getting fired for denying her boss a relationship and money from her parents; and Max because he has grown into shielding his heart and maintaining people at arm’s length due to his trauma with parental abuse. All of these feelings come to a head, and their first encounter is hot (like, H O T), though Letty thinks it’s embarrassing. The lust is reciprocated and consensual on both parts, though they have problems communicating their sentiments: again, Max because he’s become emotionally stunted due to years of abuse, and Letty due to not just her past relationship, but due to her sense of low self-confidence.

Letty’s abysmal self-worth is most inherent in her relationship with her body image. Her parents have ingrained the image that she’s fat and therefore unworthy, even though she’s described as being a size 14, besides the fact that she’s actually below the average clothing size of an American woman. She struggles with coming to terms with her weight and size, often comparing herself with her sister, Elena, who’s a famous swimsuit supermodel. Over the course of the story, she comes to terms with the inadequacy towards her body, sometimes tying it to the fact that she was being “worshiped” by Max, but other times tying it to her own growth. The following, a bit from Chapter 4:

“[…] for the first time since before the time Simon had dumped her, Letty recaptured the bone-deep feeling that her mother’s neuroses–about Letty’s body and her own relationship status– were not her own.”

Though this was one of my favorite story arcs in Night and Day, I still would like to see what fat Latinx bloggers think about the book, so if you’ve read the book and are a fat Latinx book blogger, please let me know your thoughts!

Another story arc that is prevalent is Max’s relationship with his family. Due to the unsafe environment in which he was brought up in, he has a hard time having healthy relationships, be it with his siblings, his grandparents, or significant others. He’s distant and at times uncommunicative. He believes he has the anger his father had, even when he has constructive and creative ways to cope with it by way of his art. His greatest fear is becoming like his father, who physically assaulted his mother, older brother Javi (btw, when am I getting a Javi romance???), and him. Max resents his mother for being an addict and only getting help for it after all the kids were grown, but is trying to mend that relationship. In summary: Max has a lot of emotional baggage.

One of my favorite things about the book is how much the characters take each other’s issues seriously. When they actually communicate, it’s evident they care for each other and would go to war for the other, but only in front of other people. Of course, the main conflict revolves around Max’s stunted emotions, especially in front of his abuser.

I know that the main conflict in romance books is usually done to separate the hero and heroine from each other in order for them to resolve individual problems and then come back together. However, sometimes miscommunication… can be resolved… so easily… Something that didn’t come out either super good or super bad, was the discussion between Max and Letty over sexual overtures in the workplace. It was good that they had some good, open communication between them about it, but I would’ve preferred if Lety didn’t brush off his overtures. It still made her feel uncomfortable and that’s how I read it too.

Christopher’s new book was a refreshing look at how trauma can look in different people, especially when it comes from people who are supposed to love you unconditionally. Though the characters don’t fix each other, they do aid their paths towards bettering their lives. I think those are the best moments in the book, the ones where they’re trying to better each other’s lives by praising one another. The mutual admiration made me feel soft, especially after reading a romance book in which the characters didn’t really respect one another and it was made to look Very Romantic (hint: it wasn’t; it was very manipulative and abusive). The characters talk openly about therapy and how perhaps they might need it, especially Max, even though he’s a tad in denial about needing it (I recommend that everyone try therapy, especially if you can afford it).

I absolutely adored the book, I think it was charming and sexy and thoughtful. I might go into the rest of the author’s books because this one was excellent. If you liked Alexis Daria’s Take the Lead, I believe you’ll enjoy this one.

TW/CWs (the ones I can remember): abuse (verbal, emotional, and physical), discussion of sexual harassment, manipulation, fatphobia, withholding of food, parental neglect, addiction (pills), body image issues

An eARC was provided by NetGalley in exchange for an honest review. Thank you!

You can find this book online on Amazon, Barnes and Noble, and other online book retailers now!

Review available on Goodreads.

Follow me on Instagram and Twitter @boricuareads, and make sure you check out my other reviews, as well as my book lists, edits, and more! If you enjoyed this, know that I put a lot of work into my reviews, so a monetary donation helps keep this blog going. I also have two Amazon Wishlists: one for books by Latinx authors, and another one for the rest of the books that I’d love to read and buy for myself.